sunmi yong 용선미
of everything that is performance


bio




curatorial  
      silent battle, 2025
      material accumulation(s) / practice time, 2025
      eumpa eumpa, 2023
      if i can’t dance, i don’t want to be a part of your revolution, 2022
      though we dance, 2021
      lingerlingering, 2020
      write or move on/around the perimeter of a rectangle, 2018
      delivery garden & magazine 02, 2016      

translation
      fantasia of the archives, 2024
      dictionary of tangled languages, 2024
      performance performance, 2021      

production  
      greenroom, 2019 - present

publication
      art we mind, 2020
      berliner, 2017

contribution
      the third hour, 2023
      newspaper, 2023
      pcs 2021, 2021  


residencies and institutional experiences  
       
helsinki international artist program, 2024
      performa, 2023
      ob/scene festival, 2022

      seoul museum of art, 2017      
      ayoung kim studio & national museum of modern and contemporary art korea, 2016
      


Silent Battle

Curator

Form: Workshop & Performance 
Date: March 8, 2025
Venue: Gonggan Seoro, Seoul, S.Korea 
Participants:  Sunmi Yong, Hyeree Ro, Hong Seung-Hye
Text: Sunmi Yong 
Photo & Video Documentation: Swan Park 
Graphic design: Eunji Kim  

Organized and produced by apparat/us (Jinyoung Shin & Yesolbi Kim) 
Supported by Arts Council Korea
Sunmi Yong “There is an object, and there is movement. Whoosh. Objects, and then comes the music, accompanied by movements. Squeak. Objects interact, and movements overlap. Break and build. Swish swish. As if there are no objects, and as if there are no movements. Softly. Silently. The objects reappear, and the movements pause. Thump. Swoosh. All objects and all movements in place. Buzz. Now, everything that exists moves. No halts- the Battle. Hubbub. Smack. Bang.” 

Silent Battle, a performance repertoire and interactive workshop, invites the audience into a scene of continuous frictions created by Hyeree Ro and Hong Seung-Hye. This space shares the accumulation of relationships built over the years between the artists and initiator, Sunmi Yong, encouraging the audience to interact and engage with the scenes presented.

Hyeree Ro “I’m interested in the connection between objects and bodies in the world. I approach it as witnessing the movement that comes from life. It’s a performance in a situation where theatricality, such as acting or directly reenacting the scene, is excluded—to be precisely ambiguous.”

Hong Seung-Hye “Movement is the most important condition that makes an object an organism. I’ve been trying to create sculptures and give them movement. Time and rhythm are involved. The stage is a small universe; moving in space and time is proof of being alive.”