sunmi yong 용선미
of everything that is performance
  bio
 
 curatorial  
       silent battle, 2025
         material accumulation(s) / practice time, 2025
       eumpa eumpa, 2023
        
if i can’t dance, i don’t want to be a part of your revolution, 2022  
       though we dance, 2021
       lingerlingering, 2020
       write or move on/around the perimeter of a rectangle, 2018
        delivery garden & magazine 02, 2016    
    
  translation
       fantasia of the archives, 2024
       dictionary of tangled languages, 2024
       performance performance, 2021      
 production  
       greenroom, 2019 - present
 publication
       art we mind, 2020 
         berliner, 2017
  contribution 
 
        the third hour, 2023
       newspaper, 2023
          pcs 2021, 2021  
  residencies and institutional experiences  
        helsinki international artist program, 2024
       performa, 2023 
       ob/scene festival, 2022
 
         seoul museum of art, 2017      
        ayoung kim studio & national museum of modern and contemporary art korea, 2016
       
 
Ob/Scene Festival 2022, Seoul, S.Korea
Head Producer
Feb - Nov, 2022
Managed overall production as a head and produced a few works such as 
Maria Hassabi, Together at Ilmin Museum of Art
Mette Edvardsen, No Title & Black at KIM HEE-SU Art Center Space 1 
doublelucky productions, True You at Art Sonje Center 
Ob/Scene Festival makes scenes out of the scene.
Ob/Scene Festival is an international contemporary art festival that takes place all across Seoul in autumn every year. Ob/Scene Festival questions the role of art in today’s society. In times when the changes art once promised seem ever more distant, the festival persists to ask what it is that art can do nonetheless. Ob/Scene Festival is an arena for artists who stubbornly raise their voices undeterred by political pressure, economic logic, and aesthetic convention, thereby leading us to a new vision.
http://ob-scene.com/en/festival-2022
Maria Hassabi, Together, 2023 at Ilmin Museum of Art. © Thomas PoravasMette Edvardsen © Lilia Mestre